The Resurrection by Piero della Francesca (c. 1460, Italy)

In the 1460’s, artist Piero della Francesca was hired to create a fresco for the small town of Sansepolcro, Italy. Over seven feet tall, the fresco would depict a life-size Christ rising from His tomb. Sacred artwork of the time period usually had Christ floating above the tomb in a display of divine might, but Piero della Francesca decided to do something else.

He chose to depict Christ physically climbing out of His tomb without any fanfare. This small detail adds an air of gravitas and humanism, making The Resurrection of Christ not simply a celebration of Christ, but also a reminder of Christ’s sacrifice.

Christ climbs from the tomb, exhaustion evident in His expression and body language. The flag of the Resurrection, another common symbol of sacred art, is here more of a staff for Christ to lean on. This is a man who has borne a heavy burden on His shoulders. Christ promised to return to mankind, and so He does -- but that does not mean the journey was easy. Perhaps most startling is Christ’s gaze. He stares straight at the viewer, almost challenging him to deny the truth of His Resurrection.

In this way, Christ is the original action hero, who miraculously returned to win the fight when all seemed lost. The message He offers us is clear; He has upheld His promise to save mankind from sin. Christ continues to give all of Himself in our service, and so the duty falls to us to make sure His gift has not been in vain.

The artist chose to focus on Christ’s humanity, but that does not mean the divine is absent. To see the power of His divinity, one must look closer. Christ physically climbs from His tomb, but He is confident that the guards will not waken. The men are asleep, and yet they are not resting peacefully. They appear very uncomfortable, their bodies contorted – as if subconsciously aware that their actions are wrong. Christ, after all, died for their sins, too. He does not strike them down in retribution, but passes them by, letting the knowledge of His Resurrection serve as retribution.

Behind Christ we see more of His divinity at work. The very landscape has changed with Christ’s rise from the tomb. To the left of Christ, we see a barren landscape, with no leaves on the trees and no evidence of life. But on the right side we have a lush landscape and a small town tucked in the hills. It is not a coincidence that this is the same side on which Christ’s foot is placed, as He takes His first step back to mankind and toward the New Creation. The Resurrection has not destroyed the old world but rather has healed and elevated it with supernatural life.

Christ has triumphed over death, and the flag in His hand represents that victory. His body too, has miraculously healed. Only the marks of the crucifixion – the proof of His sacrifice – remain. Wounded, yet glorified, Christ’s body is evidence that He is both human and divine. It is with this message that He stares into the future, into our very souls that He saved.

The Renaissance in Europe was a time of great social change, whose effect on politics, philosophy, and art can still be seen today. But at its core was a deep, abiding belief in God. This is most obvious in the artwork of the time, including many great religious masterpieces that celebrate Christ. The fresco by Piero della Francesca was painted onto the wall of a public meeting hall, a reminder to all officials and politicians that their Savior was watching.

Centuries later, Christ’s message of triumph and hope would again make itself known. During World War II, Sansepolcro was one of many towns that had been occupied by German forces. The Allies responded with terrible bombing raids to free Italy, and this small town was next in line. But a British officer named Tony Clarke went against orders and refused to engage. Though he had not seen it himself, Clarke knew the town contained a magnificent piece of Renaissance art. Tony Clarke defied orders because he could not see such a masterpiece destroyed.

Clarke knew he would be reprimanded for his actions, but intelligence soon discovered that the German forces had abandoned the town of Sansepolcro days earlier. Clarke’s actions therefore had not only saved a piece of sacred art, but the lives of the townspeople as well.

It is easy to see the influence of the divine in this incredible tale, and the truth that Christ continues to heal and protect mankind.